CONFISCATED FILM

Film / documentaries / Commercials

LOSING A BATTLE, BUT WINNING THE WAR

I lost a job yesterday.

For the uninitiated, when we creative types (who peer through that imaginary box made with our thumbs and forefingers) are asked to bid on a project, the process goes something like this:

The folks who make their living like Don Draper and Peggy Olsen toil countless hours and drag their precious idea through a phalanx of those who would seek to destroy it. When the raw concept is deemed fit for polishing to a brilliant shine, they ask someone like me, and as many as four others at the same time, to tell them how the shine might be achieved.

A phone call introduces everyone and we have a conversation that floats somewhere between odd first date and a love connection on a short flight.

Then we go our separate ways. They, back to other pieces of business and time with their families and me to the computer for days of thinking and writing. The timing is indiscriminate, this one with a short deadline and landing square in the middle of my time in Paris.

Writing a treatment is not easy. One must achieve a perfect balance that gets the creative team excited about the artistic possibilities with their project in your hands and lets their client know that you will find that art while deferring to the Gods of commerce.

Many, many hours of research and base covering serve as a foundation for the days of poetry that follow. And then it gets read, and reread, and read again.

A pitch call is the last step.

You can feel the energy or lack of it from the introductions of everyone in the room and often times, more on the phone from other cities. It’s usually about 45 minutes of trading ideas, agreements and disagreements.

A couple days pass and your people either get a lot of attention from their people or they don’t. This time we got a ton of attention. All looked pretty good until we heard the buzz kill line:

“It’s between you and (fill in the blank), we can’t decide. Gonna take both treatments to the client.” If you hear this, it means one of two things. A: They don’t want to hurt your feelings just yet because the client hasn’t signed off on the other guy, or B: It truly is a deadlock.

Neither is good to hear and true to form, we lost.

It sucks to lose a project of any stripe. But this one was to shoot in Chicago, my favorite city in America, and home to my dear friend Adam Kaplan and all those wonderful people at Ogilvy Chicago, with whom I’ve shared so many hours in such far flung places as New Zealand, Chile and South Africa.

Major bummer.

I got the text, after a missed phone call, on our way to the Hollywood Bowl for one of the classical night concerts. I had made a nice dinner (a copy of Raphael Lunetta’s Roasted Pear Salad from Jiraffe Bistro and Jean-Georges’s Sautéed Chicken with Figs) and chose a 1993 Michel-Schlumberger Dry Creek Valley Merlot in anticipation of better news.

Sweltering anger turned to dark depression on our walk up the ramp to our box. Setting up for the meal, by now, is like showering- a series of repeated movements toward the same end. Serene’s father was with us and his presence was helpful, trying to help elevate my mood. Plating the dinner softened things even more, and by the time we ate and cleaned up the wine was doing its job very well. The program was Rachmaninov’s Piano Concerto Number 3 with Uzbek soloist Behzod Abduraimov pounding the Steinway into submission, followed by one of my favorite pieces: Mussorgsky’s Pictures at an Exhibition.

During intermission, as is the routine, I wandered down to Randy and Gretchen Newman’s box for a dose of love, humor, and biting sarcasm. Gretchen is one of my favorite people on the planet. We share a love of cooking and laughing at the world and I always enjoy our brief soirees at The Bowl.  I had not nearly enough time to talk to Randy about his brilliant new record, but tried.

We talked about some kind of woodblock or something and this new guitar we like… (obscure Newman lyric reference).

By the time we arrived home I had almost forgotten the day’s crappy news, almost.

But now I am armed with more art and cynicism and love and music for the next volley in the advertising wars.

CLOSE CALLS & GOOD FRIENDS

Adam Lasky is one of the good ones, a nice guy. Big heart to go along with his big shadow… all Long Island and shit... funny. So when he texts, "You want to do a nice long ride on Father's Day, like last year?" you say, “Absolutely.”.

For readers of our regular exploits on bikes, you may recall the "Pepper Spray Incident" from last year’s Father’s Day ride, when Dr. Dan took a glancing blow of capsaicin for the team. Thinking that the rough start to that outing may have been due to a serious lack of estrogen, we decided to make this year's trip coed.

The texts flew. We discussed routes, the capacity of the Helen's Sprinter Van, and programs at this summer's Hollywood Bowl Concert Series (Hey, it wasn't all about the trip).

At the end of the back and forth, there was a solid lineup of strong cyclists, 7 guys and 3 girls, darned good folks, all.

Joe Lang, Joel Russak, Kristen Cisneros, Ann McCamey, Adam Lasky, Robert Simon, Kelly Maxwell Haer and her brother Tyler Maxwell, Scott Foster and me.

The meet up was at Chez Dillman at 7:30am, rolling at 8. Adam Eramo, a skinny child-friend of Adam’s, would pilot the Helen’s Van ahead to our destination, Balboa Island, 70 miles away. His copilot, introduced as “Nick, from D.C.” completed the driving duo that could easily be cast in “Dude where’s my car? 2”.

We rolled a few minutes late on a coastal course headed south. Little did we know, as we settled into a sweet rhythm, that this would be a day of close calls and some bad luck.

The shit started when we entered the outskirts of San Pedro, flying down a steep roller just short of 30 miles per hour. Some future Darwin Award winning skateboarder came down a perpendicular street, off to our left, matching our speed and not planning on stopping for the red light. We all grabbed up as much brakes as we could and the guy managed to alert his teeny brain and get off the board without being flattened by Lasky, who was on the front.

Next, as we left a light about 5 miles later, a fuzzy little terrier crossed the street in front of us. We avoided him and there were screams all around as he headed straight for an Escalade, bounced off the front tire, rolled past the rear tire, righted himself, and scooted around the back through traffic, to the other side of the road.

Then Adam had a front tire puncture. 

No sooner had we locked back into a good pace, moving through the Port of Los Angeles area, when we encountered a series of railroad tracks just north of the Vincent Thomas Bridge. I think I was riding next to Kelly and said something to her like, “Oh, this isn’t good”. The pavement around the tracks was shitty, there was a ton of sand and gravel, and the rails cut across the road at a hard diagonal. Scott got it wrong and went down. A bloody knee, a nasty road-rashed hip, and a good dose of embarrassment. Good news: it was on the left side, so no drivetrain damage. 

We all hung out for a few and talked about our own crashes, to try to make Scott feel better while he took stock and hammered his brake levers back into place. 

We were up and on our way along the beach path in Long Beach, when another canine decided to try its luck at spoke roulette. Brakes squealed, tires skidded, handlebars flicked left and right, and again, the mutt in question lived to tell the tale. And nary a steed was scratched. 

Joe “Freight Train” Lang had been crushing it on the front for most of the day, when he wasn’t trying to talk me into buying a boat for him to live on. But as we closed in on the last 15 miles, he cranked it up a notch or two. I think the boy was hungry… we did pass an “In and Out”, his favorite restaurant, which was even more impetus.

By the time we reached Balboa Island, the miles, headwind, and near disasters had taken their toll on our salivary glands and the only remedy came in the form of 24 ounce IPAs. Lunch was unremarkable, simply fuel to fill the void. After, we stopped for a pee in the parking lot of a liquor store and, as if we needed it, a six pack and a few Jameson miniatures for the trip home in the Sprinter.

Yeah, it may have had something to do with the alcohol, but we had such a great time laughing, telling stories, and showing pictures in the van while the music blared. Watching Kristen, a sweetheart of a human being with an infectious, phosphorescent smile, dancing in the middle seat (while sitting down), was worth the whole trip. 

So much of the joy we were experiencing comes from our shared exploits on two wheels; adventures that are unique to our chosen way of hurtling through spaces while demanding so much of our bodies and minds. 

Thank you, Adam, for putting it all together and adding new names to my list of cycling friends. And Kristen for adding to the pictures.

I can’t wait for the next one.   

HUM

Sometimes, staring at a blank page makes one force prose unworthy of any consideration.

At times, the waiting brings ripe, juicy fruit.

The kind that runs down your chin, even when taking the most careful bite.

And often, more often than not, the empty, expectant stage that awaits filling up…

is helpless to displace the random images of her.

Images that dance, like a flickering candle - alternately bright and dim, but never out.

Confilm Logo final Dark copy.png